 |
|
 |

Featuring the work of:
Juniper Perlis
Nicole Ardent
Lynda Banzi
Susannah
Lawrence
Charlie Coolidge
Jessica Finch
Samantha Fields
Fresh Produce presents
the work of Fritz Buehner

Kitchen by Lynda Banzi

Vessels Group 8 by Susannah Lawrence

Time Out by Charlie Coolidge
Not Just a House
Curated by Samantha Fields
Dec 9 2005 - Jan 14 2006
Opening Reception: Dec 9, 5-8pm
Performance, Gallery Talk, Holiday Party: Dec
18, 5-8pm
Looking at the late eighteenth and early
nineteenth centuries use of the word "uncanny," there
is an overwhelming connection to the interior spaces of the home. The
uncanny is described as "neither absolute terror nor mild
dread," but
a lurking sense of unease. Within the phenomenon of the uncanny,
the German word unheimlich, meaning, "not at home, can be
found. Unheimlichs
definition can be approached through that of its opposite, heimlich,
allowing a connection to be made between the two words, one being
found within the other. Heimlich--belonging to the house
or family--is associated with the familiar, the comfortable, the
security, privacy and concealment connected with the home. The
house with its inhabitants is in constant flux of revealing and
concealing. It is a shifting place of comfort and discomfort,
of order and disorder. The house/home has long been a sight
for investigation; it is a place of desires (often unfulfilled),
a place of comfort and safety and a place of overt and subversive
power. The house has taken on the role of mirror, and holds
the residue of family history. It is in this space--the slip
between Heimlich and the unheimlich--that the examination of the
dichotomy of functional and dysfunctional can take place. It
is this space that that interests the artists in the exhibition,
Not just a house
Juniper Perlis, in her "Father Photographs" is in a
dialogue with fantasy and reality, between what is wanted and what
may exist. Nicole Ardent examines the power structures within
the relationship in the home, in her video, "and the sense
of coldness detaches".Objects within the home are the
residue of our daily existence, which is often hidden from others
outside of an intimate circle, Lynda Banzi, is exploring these
objects in her color photographs. Susana Laurence is playing
with the space lying between what is functional land dysfunctional
with in the home, using the image everyday useful objects and transforming
them into beautiful ceramics that no longer have a use function.
Charlie Coolidge is using the act of deconstructing and reconstructing
pieces of the home, playing with ability for these things to mutate.
Samantha Fields examines the ablity of the home to conceal it’s
occupants and objects.Each of these artists’ works raises
questions surrounding the ideas of the blissful home, exposing
what is desired and what is attained.

Detail of Threshold by Samantha Fields
|
 |